Las óleos de todo Paul Cezanne

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60842

corner

mk273 1881 Oil on canvas 60.6 x 73 cm

60966

countryside Beverley

mk273 1892 Oil on canvas 36.2 x 50.2 cm

11462

Crossroad of the rue Remy

Auvers,ca 1873 1' 3'' x 1'6''(38 x 45.5 cm)Gift of Paul Gachet,1954

95173

Cruchon et Compotier

1893-1894 Type oil on canvas Dimensions 60 cm x 73.0 cm cyf

60991

Cypriot Joachim

mk273 1896 Oil on canvas 65.5 x 54.5 cm

11364

Dahlias

1875 2' 4 3/4'' x 1' 9 1/4''(73 x 54 cm) Bequest of Count Isaac de Camondo,1911

91806

Das Tal der Oise

c. 1880(1880) Medium oil on canvas Dimensions 72 X 91 cm cjr

27742

Dejeuner sur l herbe

mk62 1869-1870 Oil on canvas 60x80cm

67761

den hangdes hus

1873 se

88213

Der Afrikaner Scipio

c. 1867 Medium Oil on canvas Dimensions Deutsch: 107 x 103 cm cjr

90107

Der Bahndurchstich

1869-1871 Medium oil on canvas Dimensions 80 x 128 cm cjr

91805

Der Teich des Jas de Bouffan im Winter

c. 1878(1878) Medium oil on canvas Dimensions 52,5 X 56 cm cjr

48767

Detail of Portrait of bather

mk191 Oil on canvas

48702

Detail of Spring

mk191 Oil on canvas

91804

Die Pappeln

1879-1882 Medium oil on canvas Dimensions 62 X 78 cm cjr

27913

Dish of Peaches

mk62 c.1890-4 Oil on canvas 32x41cm

60814

doctor s house

mk273 1874 Oil on canvas 56 x 47 cm

89759

Dorf hinter den Baumen, Ile de France

c. 1879(1879) Medium oil on canvas Dimensions 65 x 46 cm cjr

61043

dorpen

mk273 jaar 1904 Olieverf op doek 65 x 81 cm

11461

Dr Gauchet's House at Auvers

ca 1873 1' 6'' x 1'3''(46 x 38 cm)Gift of Paul Gachet,1951

27885

Dr.Gachet's House at Auvers

mk62 c.1873 Oil on canvas 46x38cm Musee d'Orsay. Paris

93743

Drei badende Frauen

1879-1882 Medium oil on canvas Dimensions 52 x 55 cm cjr

91584

Ein Maler bei der Arbeit

1874-1875 Medium oil on canvas Dimensions Deutsch: 24 x 34 cm cjr

53916

Enlevering

mk234 about 1867 90x117cm

88086

Eremitage, Pontoise

1873-1874 Medium Oil on canvas Dimensions Deutsch: 46 x 54 cm cjr

60822

eternal female

mk273 1877 Oil on canvas 37 x 46 cm

11470

Farm Courtyard in Auvers

ca 1879-1880 2' 1 1/2'' x 1' 9 1/4''(65 x 54 cm)Bequest of Gustave Caillebotte,1894

27956

Farm Coutyard in Auvers

mk62 2' 1 1/2"x1' 91/4" Bequest of Gustave Caillebotte 1894

60965

farmers

mk273 1891 Oil on canvas 56 x 46 cm

61013

farmers sitting

mk273 1902 Oil on canvas 92.7 x 73.7 cm

60961

farmers wearing a blue jacket

mk273 1891 Oil on canvas 80 x 63.5 cm

60916

farms

mk273 1886 Oil on canvas 65 x 81 cm

60929

farms and housing

mk273 1890 Oil on canvas 60.5 x 73.5 cm

58366

Fastnacht

Fastnacht (Mardi Gras), 1888, Pushkin Museum, Moscow

58342

Femme au Chapeau Vert

Femme au Chapeau Vert (Woman in a Green Hat. Madame C??zanne.) 1894-1895

27797

Femme piquant une tete dans i eau

mk62 1867-1870

27842

Fillette a la poupee

mk62 1902-1904 Huile sur toile 73x60cm Berlin

60819

fisherman

mk273 1875 Oil on canvas 66 x 81.3 cm

11477

Five Bathers

ca 1875-1877 9 1/2'' x 9 3/4''(24 x 25 cm)

82993

Five Bathers

Paul Cxzanne. Five Bathers. 1885-87. Oil on canvas. Kunstmuseum Basel, Basel, Switzerland. cjr

86916

Five Bathers

1885-87. Oil on canvas. Kunstmuseum Basel, Basel, Schweizl Date 1885-87. cyf

27791

Foliage

mk62 c.1895-1900 New York, Museum of Modern Art,

27810

Fonte des neiges a l Estaque

mk62 vers 1870 Huile sur toile 73x95cm

60973

forest

mk273 1894 Oil on canvas 116.2 x 81.3 cm

60979

forest

mk273 1895 Oil on canvas 100.3 x 81.3 cm

60980

forest

mk273 1895 Oil on canvas 100.3 x 81 cm

61015

forest

mk273 1902-1904 Oil on canvas 91.9 x 66 cm

50200

Forest scene

mk209 1900-1902 31x25

60867

from the draft Bathing

mk273

27843

Garcon au gilet rouge

mk62 1888-1890 Huile sur toile 79.5x64cm Zurich

60870

Garden

mk273 1886 Oil on canvas 92 x 74.5 cm

61014

gardener

mk273 1902 Oil on canvas 107.4 x 74.5 cm

362

Girl at the Piano

1868-69 ' The Hermitage, St.Petersburg

60971

God of Love plaster figure likely still life

mk273 1893 Oil on canvas 63 x 81 cm

81335

Grand bouquet de fleurs

Date ca. between 1892(1892) and 1895(1895) Medium Oil on canvas Dimensions 81 x 100 cm cjr

85362

Grand bouquet de fleurs

Oil on canvas Dimensions 81 x 100 cm cyf

11458

Green Apples

ca 1873 10 1/4'' x 1' 1''(26 x 32 cm)Gift of Paul Gachet,1954

85660

Grobe Kiefer mit roten Feldern

Date c. 1895(1895) Medium Oil on canvas Dimensions 72 x 91 cm cjr

89901

Grobe Kiefer mit roten Feldern

c. 1895(1895) Medium oil on canvas Dimensions 72 x 91 cm cyf

60866

Gulf of Marseille 2

mk273 1885 Oil on canvas 73 x 100.3 cm

91227

Harlekin

1888-1890 Medium oil on canvas Dimensions Deutsch: 91 x 65 cm cjr

60975

hat man

mk273 1894 Oil on canvas 60.2 x 50.1 cm

60976

hat man

mk273 1894 Oil on canvas 60.2 x 50.1 cm

60807

have a bottle of still life

mk273 1869 Oil on canvas 64 x 81 cm

60967

have a bottle of still life

mk273 1893 Oil on canvas 53 x 71.1 cm

67765

havet vid l'estaque

1883/1885 se

11358

Head of and Old Man

ca 1866 1' 8'' x 1' 7''(51 x 48 cm)

43355

Hillside in Provence

mk170 1886-1890 Oil on canvas 63.5x79.4cm

60803

hostage

mk273 1867 Oil on canvas 89.5 x 115.5 cm

60815

house

mk273 1873 Oil on canvas 55 x 66 cm

60957

house

mk273 1891 Oil on canvas 65 x 81 cm

27756

House and Farm at jas de Bouffan

mk62 1885-1887 Oil on canvas 60x73cm National Gallery

95098

House in Provence

1885 (1885) Type painting on canvas Dimensions 65 cm x 81 cm cyf

60854

house near the valley

mk273 1883 Oil on canvas 65 x 81.3 cm

60917

Housing

mk273 1886 Oil on canvas 65.4 x 81.3 cm

66441

Ibe batbers

mk289 ca 1870 oil on canvas 32.8x40cm private collection

66304

Ibe eeast

mk289 1864-68 oil on canvas private collection

66330

Ibe large batbers

mk1895-1904 oil on canvas national gallery london

91592

Im Wald

1898-1899 Medium oil on canvas Dimensions 61 x 81 cm cjr

60794

in autumn

mk273 1860 Oil on canvas 314 x 104 cm

60802

in reading the artist's father

mk273 1866 Oil on canvas 198.5 x 119.3 cm

27771

In the Grounds of Chateau Noir

mk62 c.1900 Oil on canvas 93x74cm London,National Gallery

60795

in winter

mk273 1860 Oil on canvas 314 x 104 cm

58349

Jas de Bouffan

Jas de Bouffan, 1876.

58350

Jas de Bouffan

Jas de Bouffan, 1885-1887.

58362

Jas de Bouffan

Jas de Bouffan, 1885-1887, Minneapolis Institute of Art

85407

Jas de Bouffan

1876(1876) Medium Oil on canvas cyf

27794

Jeune fill au piano

mk62 vers 1869-1870 Huile sur toile 57x92cm Saint-Petersbourg,Musee de i Ermitage

91213

Junges italienisches Madchen

1896(1896) Medium oil on canvas Dimensions Deutsch: 92 x 73 cm cjr

91932

Knabe mit roter Weste

1888-1890 Medium oil on canvas Dimensions Deutsch: 81 X 85 cm cjr

53915

Konstnarens father

mk234 1866 199x119cm

67509

kvinna med kaffekanna

1890-94 se

27799

L Automne

mk62 1860-1861 Huile sur enduit transferee sur toile 314x104cm Paris,musee de Petit Palais

58360

L Estaque

L'Estaque, 1883-1885

66303

l eternel feminin

mk289 1875 oil on canvas j,paul getty museum malibu california

27805

L'Enlevement

mk62 1867 Huile sur toile 90.5x117cm Cambridge

27958

L'Estanque

mk62 ca.1882-1885 1' 11 1/2"x2' 4 1/4" Bequest of Gustave Caillebotte 1894

11471

L'Estaque

ca 1882-1885 1' 11 1/2'' x 2' 4 3/4''(59.5 x 73 cm)Bequest of Gustave Caillebotte,1894

30840

L'Estaque

mk68 Oil on canvas Paris,Orsay Museum 1882-1885 France

27853

La Carriere de Bibemus

mk62 vers 1895 65x80cm Essen,Museum Folkwang

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Paul Cezanne

French Post-Impressionist Painter, 1839-1906 During the second half of the 19th century French impressionism created a dramatic break with the art of the past. In conception and appearance the style was radically new and, although it initially inspired public ridicule, it soon affected nearly every ambitious artist in western Europe. The new vision emerged during the 1870s, chiefly in the art of Claude Monet, Auguste Renoir, and Camille Pissarro. For each of these artists impressionism was an illusionistic style which differed from the tradition of Renaissance illusionism in its greater emphasis upon vibrant, natural color and on an immediate confrontation with the phenomena of the visible world. As the style developed during the 1880s, however, it increasingly became characterized by paintings which were flat rather than illusionistic. In other words, the impressionists insistence upon a direct application of pigment to canvas resulted in surfaces which declared themselves first of all as surfaces - and, consequently, in paintings which declared themselves first of all as paintings rather than as windows which looked out upon the natural world. The tendency toward flatness persisted into the last years of the 19th century, its pervasiveness giving the impression that illusionistic space - fought for, won, and defended since the very beginning of the Renaissance - had finally been sacrificed by the medium of painting. Paul C??zanne worked within and finally emerged from this trend. As a painter, he matured slowly, his greatest works coming during the last 25 years of his life. During this period he scored a remarkable and heroic achievement: he restored to painting the space and volume that had seemingly been lost to it. But he did it in a totally unprecedented way: not by return to the illusionism of the past but by the creation of a spatial illusionism that did not violate flatness. C??zanne was born on Jan. 19, 1839, in Aix-en-Provence. His father, Philippe Auguste, was the cofounder of a banking firm which prospered throughout the artist life, affording him financial security that was unavailable to most of his contemporaries and eventually resulting in a large inheritance. In 1852 C??zanne entered the Coll??ge Bourbon, where he met and became friends with Émile Zola. This friendship was decisive for both men: with youthful romanticism they envisioned successful careers in the Paris art world, C??zanne as a painter and Zola as a writer. Consequently, C??zanne began to study painting and drawing at the École des Beaux-Arts in Aix in 1856. His father opposed the pursuit of an artistic career, and in 1858 he persuaded C??zanne to enter law school at the University of Aix. Although C??zanne continued his law studies for several years, he was simultaneously enrolled in the School of Design in Aix, where he remained until 1861. In 1861 C??zanne finally convinced his father to allow him to go to Paris. He planned to join Zola there and to enroll in the École des Beaux-Arts. But his application was rejected and, although he had gained inspiration from visits to the Louvre, particularly from the study of Diego Vel??zquez and Caravaggio, C??zanne experienced self-doubt and returned to Aix within the year. He entered his father banking house but continued to study at the School of Design. The remainder of the decade was a period of flux and uncertainty for C??zanne. His attempt to work in his father business was abortive, and he returned to Paris in 1862 and stayed for a year and a half. During this period he met Monet and Pissarro and became acquainted with the revolutionary work of Gustave Courbet and Édouard Manet. C??zanne also admired the fiery romanticism of Eug??ne Delacroix paintings. But he was never entirely comfortable with Parisian life and periodically returned to Aix, where he could work in relative isolation. He retreated there, for instance, during the Franco-Prussian War (1870-1871).

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